Orchestral Electronic

Orchestral Electronic places electronic production and orchestral writing on equal footing. It can be synthetic music shaped like an orchestra, acoustic strings processed like electronics, or beat-driven tracks widened by symphonic arrangement. Compared with orchestral EDM it is less tied to festival drops; compared with neoclassical electronic it is broader, heavier, and more open to drums and cinematic scale.

Isao Tomita, Wendy Carlos, Vangelis, and Jean-Michel Jarre opened early synth-orchestral territory, while Hybrid, M83, Daft Punk, Max Richter, Nils Frahm, Olafur Arnalds, Ben Lukas Boysen, Apparat, Jon Hopkins, Woodkid, Rone, Kiasmos, and contemporary film composers made it a flexible modern language. The style grew as laptop production and sample libraries made orchestral color available to electronic artists without separating concert hall from studio.