Christian Folk

tagStarted c. 1970Peak 1972–2000Last big hit still active

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The acoustic, lyric-first stream of Christian music descending from the Jesus-movement folk groups: fingerpicked and strummed guitar, plainspoken scripture-soaked writing, and coffeehouse intimacy prized over radio polish. It spans Love Song's gentle country-folk, John Michael Talbot's contemplative liturgical guitar, the literary devotional writing of Michael Card and Rich Mullins, Fernando Ortega's hymn-inflected folk, and the 1990s organic wave of Caedmon's Call and Andrew Peterson that feeds today's Sandra McCracken and Rain for Roots circle. The style's constant is the song as text — melody and arrangement serving words meant to be listened to closely.

History

Born in the Jesus movement's coffeehouses and beach baptisms around 1969–72, the style got its first institution when Calvary Chapel's Maranatha! Music (founded 1971) released Love Song, whose "Little Country Church" became the movement's signature; the Talbot brothers left country-rockers Mason Proffit for sacred music, and Keith Green's urgent piano-folk ("Your Love Broke Through", 1977) defined its confessional edge. The 1980s brought the literary wing — Michael Card's "El Shaddai" (1981), made famous by Amy Grant, and Rich Mullins' hammered-dulcimer Americana — while the 1990s coffeehouse revival produced Fernando Ortega, Caedmon's Call's collegiate folk-pop, and Andrew Peterson's storytelling line, including the touring Behold the Lamb of God cycle; the modern scene runs through Sandra McCracken, the Rain for Roots children's scripture-song collective, and The Porter's Gate.

Defining artists

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Essential listening

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Sources

  • Larry Eskridge, "God's Forever Family: The Jesus People Movement in America", Oxford University Press, 2013
  • Mark Allan Powell, "Encyclopedia of Contemporary Christian Music", Hendrickson, 2002
  • "The Jesus Music" (dir. Erwin Brothers, Lionsgate, 2021)